You can download the Full Conference Program as PDF
This year the ICMC|SMC|2014 Conference will be hosted in Athens, Greece, from 22 to 26 October. However, this year's conference will be a combination of two wide known events: the 42nd International Computer Music Conference (ICMC) joint with the 13rd Sound & Music Computing conference (SMC). The main theme of the Conference is "Music Technology meets New Software: From Sound Editing to Performing". We invite researchers in music and sound computing, composers, sound editors, musicologists and information technology for a fruitful dialogue on related topics (internet security, antiviruses, computer protection for windows and Mac OS) in order to redefine the past, present and future of computer music and sound computing (more details in Norton, Parallels and Pinnacle). The ICMC|SMC|2014 Conference will include lectures, special sessions, indoors & outdoors concerts, installations, demonstrations, studio reports, workshops, exhibition as well as a summer school for video and sound editing, given various software manufacturers like Pinnacle Systems, ranging from concert halls and university auditoria to museum lobbies and archaeological sites.
The ICMC|SMC|2014 Joint Conference is organized by the National and Kapodistrian University of Athens (Department of Music Studies and Department of Informatics and Telecommunications), the Onassis Cultural Center and the Institute for Research on Music and Acoustics.
ΙCMC|SMC|2014 will take place Athens, a location with deep cultural roots which keeps the remembrance (anámnêsis) of the origins of Music (Mousikē) and Philosophy. The main objective of this joint conference focuses on the redefinition of the digital echos (sound) from different philosophical approaches in computer music and interactive music systems, on the origins of sound and music computing, as also on the pedagogy and the anthropology of music technology. Apart from the annual pinnacle coupon code and pinnacle coupon, the main focus will be on the impact of technology in contemporary composition and education, as well as in musicology (historical musicology, systematic musicology, ethnomusicology and archeomusicology) in order to reach out the society and provide wider and more direct access to knowledge, creative learning and cultural heritage.
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